Friday 3 May 2013

Beyonce's Persona (By Tremaine Byron)


Beyonce Knowles is musician who’s worldwide success has not only elevated her but has also pushed her and given her the confidence to explore and expand on her talent other talents, she has also become an actress and business women, with credentials like these this makes beyonce in the eyes of many a good role model for not only young black women but a role model for women worldwide, but that now brings up the question of whether beyonce fits that role and is she really for feminism and women empowerment?
In a recent interview (found here - http://www.rollingstone.com/music/news/beyonce-calls-herself-a-modern-day-feminist-20130403) beyonce was quoted in referring to herself as a modern feminist singer beyonce says "I guess I am a modern-day feminist. I do believe in equality. Why do you have to choose what type of woman you are? Why do you have to label yourself anything? I'm just a woman and I love being a woman… I do believe in equality and that we have a way to go and it's something that's pushed aside and something that we have been conditioned to accept."

but I wonder, does how she portray herself through her choice in advertising give off a negative or positive view on her image and ultimately contradict her statement about being a feminist.
When we got our first look at beyonce it was as an innocent teen in her group destiny’s child, alongside her where three other female members/childhood friends which from early on showed beyonce was for unity among women.
During Beyonces destiny’s child years I have noticed that she wore clothes that were not very revealing at least when you look at it in comparison to what she’s wearing now mainly in her music videos and on stage performances and I feel this could possibly be due to the fact that while she was in the group destiny’s child she had more confidence and felt more secure as it wasn’t just her own her own as an artist she had her other two group members who were like sisters to her who had her back, now it feels like since becoming a solo artist she has felt the need to show more of herself not only through music but in her image. 
Since becoming a solo artist I feel she’s been trying to find her own image as it is often hard for solo artists to stand alone especially since beyonce started her career in a group and often in groups everyone is dressed alike to symbolise unity.
innocent due to the fact that those were her late teens to earlier adult years, since leaving her group and becoming a solo artist you can see as she has gotten older over the years that she has begun to reveal less and less in not only her music videos but also her on stage performances and magazine photo shoots it’s almost as if by her revealing more to the public she’s now displaying confidence and pride in how she feels about her appearance which to some can be empowering to women almost like she’s telling her female fans and followers to be comfortable in your own skin but to others, this could be seen and taken as her working against feminists due to the fact that she has had to show less and become a sex symbol used as a marketing tool to lure male viewers into buying and viewing her music videos and advertisements now once again this could also be seen as either pro or anti feminism depending on how you view it pro because its showing her power over men as a women and how easily it is to get a man’s attention by using her body as a tool but is also anti feministic because why is it that even as very successful woman that’s known worldwide for being a great musician still has to stoop to these sort or marketing tactics to get the attention of her male viewers when you look at it from that point of view you realise that with all she’s accomplished there is still no equality as she’s being viewed as an object by men.     

in her 02 ad she portrays herself as a queen and the men in the ad are her subjects following her every move which is empowering for any young women to see but then this same ad once again makes you move more towards the idea that beyonce isn’t a feminist once you realise that it’s also a promotion for her upcoming world tour the Mrs. carter show (Mrs. carter being the name of her husband fellow musician/rapper jay-z) in the eyes of many women this can be seen as  anti - feministic her naming her tour after her husband as its empowering him more than her, it feels like she is giving him the credit and when read it can be viewed as his show and beyonces just a feature in it, the choice in her calling her tour after her husband has received a few negative responses beyonce has then responded to this criticism in saying "I feel like Mrs Carter is who I am, but more bold and more fearless than I've ever been. It comes from knowing my purpose and really meeting myself once I saw my child. I was like, 'OK, this is what you were born to do'. The purpose of my body became completely different." Now though I understand that she takes pride in her name carter as it reminds her who she is now she is more than a musician she’s a mother which is something that should be respected amongst other women but in saying that “this is the purpose of my body” “this is what I was born to do” it does not give a positive message to women as it leads you to believe that a womens role is to be a mother in her saying this is what you were born to do we understand where she’s coming from in that as a women the best thing you can possibly achieve is to bring life into this world but in her saying that it sends the message of this is what I was made to be which in a way diminishes her accomplishments thus far.

 
In that very same interview beyonce was quoted in saying that she’s somebody who believes in female equality yet she is now calling her tour the Mrs. carter show which leads you to believe she’s using her husband jay-z’s name to gain attention worldwide for her show which does not give off a good look to her simply because she’s made her own name and her own legacy and one that is big enough to sell out her own tour without the name of her man so in a way by naming her tour after her husband its really empowering him more than it is her which isn’t what a feminist would do as it isn’t empowering as it could possibly make women who seen this ad feel less independent and that they need the help of a man to gain success in the world.

beyonces choice in advertising can at times contradict what she says and how she portrays herself in this imagine here that was shot for her album entitled 4 beyonce is seen writing on a mirror king b aka king beyonce, now that statement there is very pro feministic as it is showing equality often when you think of women and royalty what usually comes to mind is princess or queens but instead here beyonce has labelled herself king b as a way to show herself being equal to that of a man when you see this image its very empowering to a woman as it makes you think, why can’t a woman be a king? Why must a woman stay in a fixed role of being a queen which is often viewed as being 2nd in command after the king.

However as stated before this leads us to believe that beyonce could also jus be using this as a marketing tactic for women to buy her album as It contradicts her most recent ad where she is portrayed as a queen and is labelling her show the Mrs. carter showing which is then also giving her husband the title as king in this ad which contradicts her previous ad calling herself king b.

These two magazine ads which beyonce  posed for are perfect examples of how at times she can contrast herself and be for feminism one second and then pose in magazines similar to gq that cater to men and put her body and her looks on display for me to lust over and stare at like a object that they desire which I guess in a way is not so much empowering towards women but it does give her power over men as She now has made herself many men’s desires as men of all races and backgrounds have now all fallen victim of beyonces image and beauty and she now holds power over these men in a sense as they are somewhat  hypnotized by her beauty.

Gq magazine Headline reads “gentlemen put your pants back on” clearly shows this is a magazine aimed for men an when you look at that headline and notice its beside a half naked picture of beyonce it does give off the impression that she is being advertised to the male reader as being eye candy beyonce is a musician yet it is mentioned nowhere on the cover of this magazine, it focuses solely on her appearance and not about her work or all she has achieved which can lead some to believe that beyonce is in fact not a feminist because she was involved in an advertisement for men to read that would rather focus on what a women looks like rather than what a women has accomplished for herself.

In the book - Fresh lipstick redressing fashion and feminsim  By Author linda m. scott on Page 1 of the book in the introduction (Chapter 1: tossing down the glove - lines 2-4) It starts of saying “Feminist writers have consistently argued that women’s attempt to cultivate her appearance makes her a dupe of fashion, the plaything of men, and thus a collaborator in her own oppression”.

This  quote to me can be linked back to the modelling beyonce had done in the previously mentioned GQ magazine as it is a magazine for men in which she is shown wearing revealing outfits which is worn  to please her male readers thus allowing men to objectify her as a result.

Here’s Another quote from the book  Page 226 (lines 4-6) “Because a women’s future lies in “becoming prey,” Beauvoir argues, she learns to see herself as a object viewed from the outside; she begins to dress in a way as to attract a lover, which involves imagining how one might appear to the desired male. “ once again this will goes back to beyonces GQ magazine photo where she is seen wearing clothing that is somewhat revealing which not only works as bait for the male readers/viewers but it also does metaphorically place her in a position of the prey as she is now become the desire on those men who buy the magazine to stare and objectify her.

Unlike the gq magazine the Women’s music billboard magazine cover gives beyonce a more respectful image that women can look at and feel proud of.

This magazine cover does not portray beyonce in a light for all men to stare and drool over it highlights all that she has accomplished and what she stands for singer, actress, businesswoman and philanthropist this small bit of info not only builds up beyonce and her image but it also introduces you into who beyonce the person is a bit more for those who may not know her past the pretty face, it shows you that she’s more than just a attractive woman with a great voice this magazine ad is clearly aimed towards women and so it really does a great job in building a positive image for women to look up to.
Due to recent images beyonce has taken many seem to believe that she has used skin bleaching to lightening her skin tone now though this has yet to be proven true it is very clear from the two above images that her image has indeed changed if you look at these two albums above you’ll see that in comparison to her earlier album cover (dangerously in love which is one the left) that on her album cover titled 4 her skin has been lighten so much so that now she’s moving more away from looking African American and is looking more Caucasian due to the lightened skin tone and the blonde hair this leads me to believe that she isn’t so much for empowering women because many black women see beyonce as a great black female figure so when you see that she’s now somewhat moving away from that image and is looking more lighter in photos and with the addition of the blonde hair it can come off as her not showing pride in her ethnicity which is not empowering to many young black girls you look up to her, it also isn’t empowering towering women as it doesn’t give off the message to women to feel comfortable in your own skin.

(to my left shows images which show beyonces change in  appearance over the years)
In Chapter 8 of Fresh lipstick redressing fashion and feminsim : feminism and frued in the fifties – page 225 lines 15- 20

Simone de Beauvoir says “the female condition is the extreme fear of sexual intercourse. Beauvoir alleges that terror of intercourse regularly manifests itself in self-destructive behaviour among teenage girls. Paradoxically she claims that certain knowledge of rape in her future also causes the adolescent girl to begin taking a perverse pride in her body, to view it as both a “weapon” and a “treasure”.” I believe that this quote has some truth behind it as not just beyonce but women may use their body as a weapon towards feeling empowered as a women’s body is the number one desire in the eyes of many men which to me is a possibility as to why beyonce and many other female entertainers dress in rather sexual and revealing ways, but the word treasure in this quote also links back to beyonces earlier quote in which she says this is what I was born to do as since having a baby she now values her body highly somewhat similar to a treasure.

Continuing the quote from the book Fresh lipstick redressing fashion and feminsim  Chapter 8: feminism and Freud in the fifties – page 225 (lines 20 -23)

“and therefore to cultivate its appearance: she tries different make-ups, ways of doing her hair; instead of hiding her breast, she massages them to make them grow, she studies her smile in the mirror. Again, Beauvoir characterizes attention to appearance s the direct outgrowth of fear and inadequacy” this quote links back to the claim of beyonces possible lightening of her skin tone and has lead me to believe that beyonces possible change in appearance other the years is not only a sign of her growth as a person but also with that change in appearance she becomes more confident as in a way her changing her appearance, adding on make-up changing her hair etc is almost like becoming a new person which brings about confidence in her because she can become someone new and different from who she is through a change in appearance.

Beyonce's Lyrics and Music Video's 'WHY DONT YOU LOVE ME' (By Harveen Bahia)



Before Feminists go screaming and shouting how Mrs. Carter plays a 1950’s  “BB.Homemaker” who acts victimized and distraught at the hand of a man who doesn’t love her.
One can see the influence of Bettie Page whom she is channeling through this video. Though Beyonce is an object for the male gaze while she wiggles her bottom in revealing clothes in the video, she however, highlights the different era, which was once less about “all the ladies who are independent”. Instead it was more about frustrated and lonely housewives, whose only real purpose in life was to cook, clean, feed the children and take care of the man once he came back from work.  She is able to comically deconstruct this role of the perfect housewife who has running makeup and domestic misadventures of “B.B. Homemaker” setting a roasted chicken aflame, overzealously scrubbing the floor and washing dishes in lingerie. She uses the traditional notions of femininity by embodying them to the extreme, and so on —cleverly turning a romanticized vision of 1950s domesticity on its head. One could even argue that the whole concept of thinking of “why don’t you love me?” is an old school way of thinking. When one feels sorry for Bey, she belts out “There’s nothing not to love about me”, the girl power kicks in as she makes a statement rather than a plea.

Beyonce's Life (By Jacob Benjamin)


Beyoncé’s persona is about girl power and females being the dominant sex as what she states in her song ‘Run the world (Girls)’. Her dress code is very provocative; she tries to advertise her power over men. For an example, in her music video ‘Single Ladies’ and exploiting the theme of ‘Independent Women’ as she’s been doing since her days in Destiny’s Child (Independent Women, Survivor, Bills Bills Bills and many others…) but this is her stage presence and what audiences know of her.  

(To provide visual and written research, I watched Beyoncé’s documentary)


So is Beyoncé being truthful to how she portrays herself to the public? With herself being a powerful independent woman and trying to save the female sex from being a stereotypical doormat and embracing the ideal of femininity and feminism? “Femininity is most frequently attached to the natural body as an immediate indicator of sexual difference.” (Doane, 1981:26) Well let’s start from the bottom…

From watching her documentary, I have learnt that when she was younger, she would always want approval from her dad. Her dad always knew she wanted approval so he kept pushing her to make her a stronger person as she quotes in the documentary “He kept pushing me to make me stronger and better(Beyoncé, 00:40). She never was satisfied with herself when she was younger as she talks about being unsatisfied (1:00). What could this mean? Was she lacking self-esteem and confidence with herself in management throughout her career? Or maybe she actually needed that one man in her life, which is her father.

In her career she never did anything that she wanted to do. Beyoncé continues to talk more about her singing career…(After the opening credits with her first performance shown in the documentary) Beyoncé talks about being too commercially successful and the strain on not being able to sing what she wanted to sing. She quotes “So I set a goal to be independent” I believe this is when she began to be more into the feminism part of life. She really wanted to show her true colours by writing her own lyrics about what she wanted and of course what she wanted to sing about was the power of females.

Around the time when Beyoncé brought out her album ‘4’ which was March, 2011 she had a tragic break up with her father as she speaks “My dad had a huge impact on my career but he did not allow me to grow into the person I wanted to be(6:00) as of then, she broke up with her father. While this whole situation happened, she was pregnant with she and her husbands (Jay-Z) daughter Blue-Ivy.  Now from watching this segment within her documentary, I’ve learnt that Beyoncé proved that she could portray her ‘Independent Woman’ persona very well by not making her break up with her father dictate her career by continuing to make music and stay strong, though she did show quite a lot of emotion within her documentary.

In the same timescale of 6:00, Beyoncé begins to talk about society being brain washed by the internet because everyone focuses on photos and their life style of celebrities and aren’t focusing on their talents, e.g. Musicians = Voice. When she spoke of this, I instantly thought that she is slightly contradicting herself for the fact that like other celebrities, she’s adding fuel to the fire by acting out in a way that will be judged and followed, e.g. The GQ 2013 Cover photos of herself

 
She is constantly advertised in a sexual vibe, which will make the male viewers have no interest in what her talents are and only focus on her physical appearance. “The mass media… all portray women in the same way… they contribute to and reinforce our images of ourselves.” (Collins, Friedman & Pivot, 1978:88) How are females like her-self trying to gain feminine respect from doing eye-opening acts? She is not the only celebrity that does so but she is the only one that has been connoted as being a dominant strong independent woman. This keeps my mind rolling to think if this ‘girl power’ act is just for the media alone and not a cult that she follows. Looking on the photos more clearly, in one photo her breast is showing partially and she is wearing very seductive/ provocative underwear, which shows the majority of body for example, her legs/hips/bum. Participating as part of the male audience that is analyzing how other males would think about this photo-shoot, it is very likely other males staring at her feminine parts would possibly have a few ‘dirty’ thoughts run through their heads about her feminine exterior. Feminist and author Laura Mulvey goes into more detail about this type of behavior in her work on ‘Visual pleasure and Narrative Cinema’…
 
In a world ordered by sexual imbalance, pleasure in looking has been split between active/male and passive/female. The determining male gaze projects its phantasy on to the female form, which is styled accordingly. In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness. Woman displayed as sexual object is the leit-motif of erotic spectacle: from pin-ups to striptease” (Mulvey, 1975)
 
This photo-shoot goes really dictates what she describes herself as and brings herself into an awkward jeopardizing argument that isn’t brought up very often.
Deep within the documentary, Beyoncé gets deeper and more serious about being a woman and starts to speak out her mind. “Its difficult being a woman(29:29) I have heard this quote a lot of times but yet again, she still contradicts herself when saying “its difficult” and when she talks about photos. “We need that support and escape sometimes(29:29) She speaks of having support and escape… breaking down that quote we’ll start with the word ‘Support’. I agree that some/most females need support and that’s why I disagree with the whole cult of girl power. Women need men as much as men need women “We all have the same insecurities and inabilities(31:00); For arguments sake, I believe it’s the species of men that make women feel as if they need more power than men because of how most men treat females. Females don’t deserve to be treated as rugs or used bags. They deserve to be treated delicately and as precious as a baby (Maybe that’s why in relationships couples call each other ‘baby’). Of course the male species are seen to be the more dominant species in terms of strength, but I see no reason to over power a female. That’s quite disrespectful. Moving to where she says ‘Escape’ I’m only assuming she means having ‘girly’ days where she can just be a female without any problems ‘I feel more secure around women because of the understanding they have between each other, its what I’m used to…(31:00) That is not a problem because many women have these types of days. Now this goes to men also, men have manly days where they do their ‘boy’ stuff which females aren’t so interested in so her statement is targeted to both genders but still as a male I believe women need that type of ‘escape’ more then men.

As Mrs. Carter goes on with the documentary, she says a very judgmental opinion, which I believe, would cause a lot of argument between celebrities and society in fact. Beyoncé says “Women have to work more harder to make it in this world(33:00) As a well-known artist like her, I think this statement is quite selfish. Women have a more attractive appearance than men. Not because I am man but because of what they have as a female. They are more of a significant figure than a male and many people admire the feminine body than the male’s body. I’m speaking of a physical appearance but as a business career, I think it’s fairly equal. Being a male or female makes no difference; many people are just interested in what you can do. Once you show your talent then you will be earning money.
 
Within the same timescale of 33:09, she carries on the conversation about women having to work harder than men to make it in this world “Women don’t get the same opportunities as men, or money…money gives men the power to run the show.” As I said before, she is comparing stereotypical men that only thinks about power and doesn’t treat women as delicate as they are suppose to be treated. It seems as if money attracts men more than women as women think more about products and not the money. In a sense I agree with Beyoncé but at the same time I don’t because of how she is stating it as if every man controls women “It gives men the power to decide our values and to decide what’s sexy and what’s feminine…at the end of the day its not about equal rights, its about how we think, we have to reshape our own perception on how we view ourselves(e.g. “If I were a boy” Song by Beyoncé) That quote reveals a little more about her personal life; it does make me wonder if her husband does this to her when they’re at home, he decides what sexy is for her; this also relates to when she said she is “Independent”.  We have to step up as women and take the lead, reach as high as humanly possible…that’s my philosophy(33:09) I agree that women should stand up for themselves, especially when men decide to take advantage of them and treat them like a door mat as spoken before. Men that do this deserve no goodness within their life because we all deserve to be treated equally but in my eyes I think women should be treated a tad more better because of the troubles they go through as being a female.
In conclusion, I believe she was more independent and more into her cult of girl power when she was much younger, before she had her daughter. I think now she’s forgotten about what she use to be and is becoming someone a bit different, but who knows where she is heading, this baby of hers could change her perspective of how she sees life “The battle of my life”.
 

Beyonce's Lyrics and Music Video's 'VIDEOPHONE' (By Harveen Bahia)




Videophone is a clear message regarding the power of social networking, technology and the instant dominate gaze of men. Beyoncé transforms mens head's into the symbol of the gaze itself of a video-camera, as if hyperbolically saying, you want to stare at me with your male gaze, well then go head and stare with your video-camera,  If you want me you can watch me on your video phone.’ Cleverly both the song and video are obviously about Beyoncé performing and existing in front of a videophone and also the male gaze, the video matches the lyrics charmingly well, and the video visually heightens the perversity. Throughout the video Beyoncé embodies many different versions of the femme fatale and pin-up girl, that obviously pleases the male gaze, with her power of her seduction she is able to reduce the men into victims, slaves and prisoners to their visions produced by their video camera. This creates the ideal image of a woman, therefore being the image the men desire for, therefore the woman becomes the master, and her image becomes the catalyst of ones identity.

 Zizek writes (on the first page of The Plague of Fantasies): "This plague of fantasies of which Petrarch speaks in My Secret, images which blur one's clear reasoning, is brought to its extreme in today's audiovisual media.", which is a clear example of “Video Phone”.           

The props in the video play a key role of linking the visual to the lyrical.  The guns and motorcycles aren’t new metaphors for phalluses, Gaga and Beyoncé erotically straddle, stroke, and sexually ogle their rubber guns, seductively drawing the male viewer, controlling them and dehumanizing the gaze into their own source of hypnotic power.  Using there powers of seduction and sexy attire, as well as sex noises moaning, o-faces, sinuous choruses of "fiiiiiiilm me" to dominate and control men is such an uncommon way, as they use this old tactic constantly in movies, music and TV shows. The video promotes stereotypical portrayals of women using their ability of using their sexuality to only achieve ultimate victory over men, who are just drooling and willpower-less, which is just a cheap version of sexism.  

Eddie McCaffray and Meghan Vicks. September 12 2010. ‘Beyonce's "Video Phone" (featuring Lady Gaga) - Observations and Discussion’. (Available at : http://gagajournal.blogspot.co.uk/2010/09/beyonces-video-phone-featuring-lady.html

 

Slvoj, Zizek (2009) Verso Books; New edition edition (1 january 2009) 

‘The plague of Fantasies’.

Available at : http://www.metrolyrics.com/video-phone-lyrics-beyonce-knowles.html ( Accessed: 13 March)

Beyonce's Lyrics and Music Video's 'NASTY GIRL' (By Harveen Bahia)


 

Throughout Beyoncé’s career, her heels have made huge feminist missteps like her song ‘nasty girl’ where she and her fellow sisters chide at women wearing skimpy clothing, but it’s a woman’s prerogative to choose what type of attire one whishes to wear, as long as it pleases oneself, there should be no judgment placed on these women especially from other females as they tarnish the name of sisterhood. But yet the song and video ridicules these women for the way they dress and behave, even though these so called ‘nasty girls’ behave in the same manner as sexually promiscuous men. According to Beyonce "men don't want no hot female that's been around the block female, you nasty girl’, they are labeled negatively and are regarded as ‘dirty and nasty’, they really didn’t hold back with the punches, the song slut-shames mercilessly, by publicly shaming and branding these type of women, which obviously allows others to do the same i.e. rappers who love to call women bitches and hoes which has now become accepted in our  society tarnishing the good reputation of women and destroying solidarity within the female community. When a popular all female band make an open attack on other females this pushes back the movement of equality and gender fairness, which isn’t right when one has the much power and influence on the young generation, who will think its socially accepted to call women sluts and whores. Beyoncé, Kelly and Michelle are purposely covered up for this particular video, but in other music videos they too are dressed in skimpy clothing dancing erotically which is highly hypocritical.

( Available at http://www.azlyrics.com/lyrics/destinyschild/nastygirl.html ( Accessed 15 March 2013)

Beyonce's Lyrics and Music Video's 'INDEPENDENT WOMEN' (By Harveen Bahia)



Beyoncé Knowles-Carter, a Grammy award-winning superstar, is one of the first coloured people to break into an all white girls club of feminism. She has fiercely stepped into that feminist role, by working and dominating a sexist industry. However Beyoncé has always found resistance from feminists, even though her work is tailored towards inspiring girls and women through her music and lyrics, as she states in this song “All the women who are independent throw your hands up at me”. This all began with her hit song “Independent woman” with her former girl band Destiny's Child, they celebrate the independence of women and not relying on a man to control you with material gratification. Being able to afford ones own luxury as they say “I buy my own diamonds and I buy my own rings”. The song harangues men for not paying there way in a relationship “Always 50/50 in relationships.” Instead they motivate women to go find employment, and therefore finical liberation, with such power and influence over young girls and women this inspires them to go out, to achieve something worthwhile. The song was based for the blockbuster hit  Charlie’s Angels”, the opening scene shows three women sitting at the head of the table, which is symbolic as it’s the seat where men normally sit at, they are taking on masculine roles, first by using martials arts to bring down the blue ninja, and then by driving men’s favorite toys the motorbikes, the video also shows clips from the movie of Lucy Liu, Drew Barrymore and Carmen Diaz being tough independent women kicking ass. This in my opinion is a national anthem for women to achieve success and liberation. Some feminists such as Samhita, aruges, "Even at her most seemingly feminist moments, Beyoncé falls back upon traditional ideas of femininity, of love and of romance. Beyoncé as an artist is great and she is pushing us in new directions creatively, but she is not quite a feminist role model." Despite being a good influence for our generation, spreading words of empowerment as opposed to other musicians who sing about female degradation, she is still constantly attacked by feminists for doing things anti-feminist for example they way she dresses or dances, but they are her own choices, which is what feminists should be about.



Lily Bolourian. (2013) ‘Lena Dunham: Why’s she a Feminist Icon Instead of Beyonce?’ Policymic









Beyonce's Lyrics and Music Video's 'CATER TO YOU' Harveen Bahia)




Destiny Child's song ‘Cater To You’ is a major set back in the feminist movement, by submissively serving her man and bending over backwards just to satisfy his needs. This song reinforces the hegemonic gendered powers. Beyonce is a women who openly preaches independence, yet ‘her life would be purposeless’ without her man. this is a prime example of how co-dependent she is, her stand for being a dominant powerful lady could be called into question. She is proving Parsons warm bath theory, that men go to work,  and when they return home the wife washes his troubles away by pampering him. Parson's theory is best summed up in the lyrics; "let me help you take off your shoes, untie your shoe strings, take off your cufflinks, do you wanna eat boo? Let me feed you, let me run your bathwater, whatever ever you desire, I’ll aspire". According to Beyonce her only purpose is to serve and to look good; ‘I’ll keep my figure right, I’ll keep my hair fixed, keep rocking the hottest outfits’, this is a huge contradiction of what Beyoncé preaches in many of her other songs and interviews. Out goes the confident and worthy Beyonce. Instead she’s replaced by a woman who thirsts for male attention in order to boost her confidence, sexiness and self worth. She’s wiling to go to the moon and back if he asked her to, without actually using her mind. This song paints the stereotypical role of women in the 1940’s & 50’s which glorifies women as house slaves, whose only importance in life is to be a good stay at home wife, whilst the husband has the  important occupational role to play. The music video displays women’s sensuality as they whimsically touch their bodies, whilst flicking their hair and looking into the camera, engaging with the viewer wearing minimal clothing while erotically dancing on the car bonnet instantly grabs anyone’s attention, including the male models in the video who lay back and watch in pleasure. Personally I believe it looks a little seedy as they play the role of ‘slave’, but the purpose of this video is to ooze seduction and to visually seduce their man “to do anything for my man”.

Tracie Egan Morrissey. (2008) ‘Is the meaning Behind Beyonce’s music misunderstood?’ 21ST September. Available at http://jezebel.com/5096345/is-the-meaning-behind-beyonces-music-misunderstood  (Accessed: Aprill 11 2013)

Available at:  http://www.azlyrics.com/lyrics/destinyschild/cater2u.html
(Accessed: April 11 2013)

David Clapham (2005) ‘The meaning of housing a pathways approach’ (pg7-37)

Policy Press. (Accessed: 11 April 2013)